Editing Tear Sheets
Below are a few of the pages I did the photo editing for. Beyond working with the photographers on assignment, I worked in archives finding images, used wire services when necessary, talked with reporters and editors to find the right images for their stories and collaborated with designers on layout and design.
I researched the all of the photos for this story using images from the SI archive, Getty Images and Imagn.
I came up with the concept for the cover and worked to find balloon artists in the area around Zaila Avant-Garde’s home. Additionally, working with the SIK team, I helped decide on a Sports Kid of the Year.
Working with the SI photo team in New York and Tokyo, I added Sports Illustrated images to the 2020 Tokyo Olympics gallery daily for the website.
Each week I was given ten names to research and tone from within the SI archives. These images are used on the Instagram channel @wherearetheynowsi.
Working with images that Director of Photography at Sports Illustrated, Marguerite Schropp Lucarelli, gave me, I toned and ordered the images for the website. Additionally, I researched the military service of each athlete and found additional people for the gallery.
Working with the Director of Photography at Sports Illustrated, Marguerite Schropp Lucarelli, I combed through the SI archive to find, tone and order the images in the gallery. Click on the image to see the full gallery!
After noticing the team in Japan sending images of motion blurs, Sports Illustrated Photo Editor, Abigail Nicolas and I came up with an idea. We created a photo gallery of motion blurs from the Tokyo Olympics. We chose images from the takes sent to us for the gallery, toned all of them and put them on the SI website and @sifullframe Instagram account.
Working with images that Director of Photography at Sports Illustrated, Marguerite Schropp Lucarelli, gave me, I toned and order the images for the photography newsletter at SI.
I researched images for this story using the SI archive and wire services such as Getty Images, AP and Imagn. Following approval from the story’s editors, I toned the images for publication on the web.
I did not choose the images specifically, but I worked with the editor and photographer to decide which images were the most important and I worked with the print designer to decide the layout.
I searched through the Missourian archives to find images for the First Pitches story.
I worked with a staff photographer to cover the graduation, made sure they were staying safe and helped them figure out what was important to focus on.
I worked with staff photographers, freelance photographers in the area and wire images to create a complete package about the events of the George Floyd protests during the 2020 summer in Missouri.
I worked with photographers, both freelance and staff, to ensure they were staying safe and getting all the images we needed to tell a complete story. I also worked with the print designers to create a double truck and interesting layout.
To see more of my editing work at the Missourian
I used images from wire services to create a full visual package for web and print.
I worked with staff photographers to get images and captions. Additionally, I worked with designers to create an interesting layout for print.